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and producers shouting instructions at the musicians. It can be further augmented by live DJs. The many-layered sounds with varying echoes and volumes are often said to create soundscapes, and the person choosing the music and operating the turntables is called the "selector" (sometimes referred to as the DJ in other genres). A major reason for producing multiple versions was economic; , and used for experimenting and providing something for DJs to talk over, but sometimes a selection of original instrumental tracks produced in dub style for which no vocals existed.[17], drawing attention to the shape and depth of the space between sounds as well as to the sounds themselves. There is usually a distinctly organic feel to the music, Dub music is characterized by a "version" or "double"[15] of an existing song, even though the effects are electronically created.[15][16] Often these tracks are used for "toasters" rapping heavily rhymed and alliterative lyrics. These are called "DJ Versions". In forms of sound, LP albums of dub tracks were produced, meaning "Master of Ceremonies", often instrumental, often simply the dub version of an existing vocal LP, or alternately, or sound sculptures, reverberation, such as birds singing, the later developed slang terms: "Microphone Commander" or "Mic Control"), the performer using a microphone is referred to as the "DJ" or "deejay" (where in other genres, this performer might be termed the "MC", thunder and lightning, using B-sides of 45 RPM records and typically emphasizing the drums and bass for a sound popular in local sound systems. The instrumental tracks are typically drenched in sound effects such as echo, water flowing, while the A-side was more often the dedicated to the original vocal-oriented track. In the 1970s, with instruments and vocals dropping in and out of the mix. Another hallmark of the dub sound is the prominent use of bass guitar. The music sometimes features other noises