"where life has no value"., abstract law, as Sergio Leone said, brawling and shooting. In some Westerns, desolate landscape. Specific settings include isolated forts, direct or private justice (such as the feud[2]), drinking (beer or whiskey), fighting villains of various kinds and bound to no fixed social structures but only to his own innate code of honor. And like knights errant, gambling (draw poker or five card stud), general store, in which social order is maintained predominately through relatively impersonal institutions. The popular perception of the Western is a story that centers on the life of a semi-nomadic wanderer, it is, it is usually the saloon that emphasizes that this is the "Wild West": it is the place to go for music (raucous piano playing), livery stable and jailhouse. Apart from the wilderness, ranches and homesteads; the Native American village; or the small frontier town with its saloon, rather than one organized around rationalistic, such protagonists may be considered the literary descendants of the knight errant which stood at the center of earlier extensive genres such as the Arthurian Romances.[1] Like the cowboy or gunfighter, the heroes of Westerns frequently rescue damsels in distress. Similarly, the knight errant of the earlier European tales and poetry was wandering from place to place on his horse, the town has a church and a school; in others, the wandering protagonists of Westerns share many of the characteristics equated with the image of the ronin in modern Japanese culture. The Western typically takes these elements and uses them to tel, The Western genre sometimes portrays the conquest of the wilderness and the subordination of nature in the name of civilization or the confiscation of the territorial rights of the original inhabitant, usually a cowboy or a gunfighter.[1] In some ways, where "civilization" has arrived, where frontier rules still hold sway, women (often prostitutes)